Sign in for the live event.
"Portals: Collecting and Interpreting Evocative Rocks" Thursday Oct 29th with Dr. Thomas Elias, Founder of the Viewing Stone Association of North America, who will lend one of his Korean viewing stones to the show, Dr. Virginia Moon, Associate Curator of Korean Art at LACMA and two artists in the show: Andy Moerlein and Elisa Pritzker. This talk will focus on the art of stone collecting, both as an historic tradition and as a contemporary practice. Why contemporary artists have translated this aesthetic into new art forms and how each individual rock speaks about a larger landscape will be addressed in this talk.
http://www.koreanculture.org/
My beech piece is featured in the Artnet News Editors Picks:
Wednesday, October 21–November 30
Andy Moerlein, Pale Wave (2020). Photo courtesy of the artist.
9. “Interpreting the Natural: Contemporary Visions of Scholars’ Rocks” at the Korean Cultural Center, New York
Contemporary artists present work in a wide range of materials, all inspired by Asian scholars’ rocks—whether it be the distinct traditions of Korea’s Suseok (of Parasite fame), Japan’s Suiseki, or China’s Gongshi. Expect ceramic sculptures by Laura Cannamela, wood carvings from Andy Moerlein, and even digital explorations by the form Furen Dai, to name just a few artists in this group show curated by Donna Dodson.
Location: Korean Cultural Center New York, 460 Park Avenue 6th Floor, New York
Price: Free with timed appointment
—Tanner West
More about the show:
Interpreting the Natural: Contemporary Visions of Scholars’ Rocks
Gallery Korea, Korean Cultural Center, 460 Park Ave 6th Fl NY NY
Exhibition Dates: October 21 - November 30, 2020
Reserve your visit online Tues, Wed, Thurs 10:30a-4p
Exhibition Dates: October 21 - November 30, 2020
Reserve your visit online Tues, Wed, Thurs 10:30a-4p
October 29 (Thurs) @ 5pm "Portals- Collecting and Interpreting Evocative Rocks" with Dr. Thomas Elias, Founder of the Viewing Stone Association of North America, who will lend one of his Korean viewing stones to the show, Dr. Virginia Moon, Associate Curator of Korean Art at LACMA and two artists featured in the show: Andy Moerlein and Elisa Pritzker.
November 10 (Tues) @ 5pm "Nature’s Representation, Interpretation and Enculturation in Viewing Stones" with Dr. Kevin Greenwood, Joan L. Danforth Curator of Asian Art at the Allen Memorial Art Museum at Oberlin College, Dr. Yao Wu, Jane Chace Carroll Curator of Asian Art at the Smith College Museum of Art, and two artists featured in this show, Laura Cannamela and JooLee Kang.
November 13 (Fri) @ 5pm - "Strange Bedfellows: How Found Objects, Mineralogy and Ancient Viewing Stones Deliver a Relevant Message" with Dr. Kyunghee Pyun, art historian and faculty at the Fashion Institute of Technology (see her recent interview about the Suseok in Parasite in Artnet), Dr. Aida Yuen Wong, art historian and faculty at Brandeis University, and two artists featured in the show: Furen Dai and Woomin Kim
November 16 (Mon) @ 5pm - "Presentation, Arrangement and Display" with Special guests: Jan Stuart, Melvin R. Seiden Curator of Chinese Art, National Museum of Asian Art, Craig Yee, Founder of Ink Studio in Beijing, with Susan Meyer, and Christopher Frost, two artists featured in the show.
Korean Cultural Center in New York presents Interpreting the Natural: Contemporary Visions of Scholars’ Rocks, annual
“Call for Artists 2020” group exhibition by Gallery Korea. This year’s
artists and curators have diverse cultural backgrounds from Korea,
China, Japan, Argentina, and the USA. This group show will feature ten
artists:Laura Cannamela, Mark Cooper, Furen Dai, Christopher Frost,
JooLee Kang, Woomin Kim, Susan Meyer, Andy Moerlein, Laura Moriarty,
Elisa Pritzker and curator Donna Dodson.
Interpreting
the Natural: Contemporary Visions of Scholars’ Rocks shows recent
artwork by each artist is shown in dialogue with an authentic Scholar's
stone from the Thomas Elias and Hiromi Nakaoji collection and the
collection of Kemin Hu.
This
contrast of traditional scholars’ rocks with contemporary
interpretations will create a dynamic that encourages reflection on our
enduring relationship with nature. As we confront the current pandemic,
and respond to the imbalance challenging our global society, we seek
contemporary art that is able make sense of the current time.
Stone
collecting is a universal human pastime. Throughout Asia, scholars have
cultivated distinct traditions: in Korea, Suseok; in Japan, Suiseki; in
China, Gongshi. The most prized “bones of the earth” were created by
water or wind carving away the geological structure until only the
essence is left behind. These unique stones were understood by Daoist
practitioners as icons of harmony with nature. As the stones were passed
from generation to generation, they signified an authentic connection
to the landscape and an aesthetic reminder of that spiritual
connection.
An
appreciation of these stones came to represent cultural value for
Korean, Chinese and Japanese collectors. With new affluence came
increased demand for such ancestral heritage. Merchants would often find
or carve natural stones and sell them in the marketplace. Commercial
availability enhanced their popularity. With the rise of new wealth in
Korea and China in the past 50 years, scholars’ rocks have become more
sought after. They signify a connection to the ancient past, and they
express the collector’s prosperity and hopes for the future.
Today,
scholars’ rocks continue to resonate with viewers. The surge of
interest in scholars’ rocks or viewing stones in the art world, and in
pop culture, such as in the movie Parasite, can be understood
as a response to things being out of balance with nature, the
environment, and society. The artists in this show are all responding to
this moment, where a reverence for rocks and nature is needed, now more
than ever.
About the Artists
Laura Cannamela received
her MFA from Queens College of CUNY before moving to the Hudson Valley
area of New York. Her artwork has been featured in numerous exhibitions
at galleries around New York and New England. Within the past year, she
has shown her artwork at the Hyde Collection in Glens Falls, NY, and at
the Samuel Dorsky Museum of Art at SUNY New Paltz. Her ceramic sculpture
installation was selected for the Hudson Valley Artists 2017 Purchase
Award and has been added into the Dorsky Museum’s permanent art
collection. She has taught at Queens College of CUNY, the College of St.
Rose in Albany, and Sage College of Albany, and currently teaches
ceramics and sculpture at Ichabod Crane High School. Laura Cannamela
reflects on the interconnectivity of the Hudson river’s water and
landscape. Her works are inspired by the observations of creek waters
and the idea of Heraclitus.“You never step into the same river twice,
for it is not the same river and you are not the same person.”
Mark Cooper is
an internationally recognized artist known for large-scale and
site-specific installations. His professional honors vary from
commissions at the Boston Medical Center, to Artist Fellowships through
the Massachusetts Cultural Council (2011, 2017), a Gund Travel Grant
(Japan and Korea), and an Open Society Fellowship among others. In 2006
he authored Making Art Together through Beacon Press. In 2013,
he was a Foster Prize Finalists at the Institute of Contemporary Art
(Boston, MA) and included in “New Blue and White” at the Boston MFA.
Integral to his art is the idea that the sum of the parts is greater
than the individual parts.
Furen Dai’s practice has focused largely on the economy of the cultural industry, and how languages lose function, usage, and history. Dai’s hybrid art practice utilizes video, sound, sculpture, painting, and collaboration. Her years as a professional translator and interest in linguistic studies have guided her artistic practice since 2015. Furen Dai has exhibited her work at the National Art Center, Tokyo, and the 13th Athens Digital Arts Festival, Greece. She has participated in residencies, including International Studio and Curatorial Programs, Art OMI, NARS Foundation, and has received public art commissions from The Art Newspaper (2019) and Rose Kennedy Greenway (2020).
Christopher Frost is
a sculptor living and working in Somerville, MA. His work has been
exhibited and collected in museums and art institutions throughout the
New England area. His indoor and outdoor sculpture is part of many
private and corporate collections. He began his education at Bates
College in Lewiston, Maine and then progressed to the Parsons School of
Design, and Paris, France. He received a Master’s degree from the School
of the Museum of Fine Arts in Boston. Christopher Frost has been
creating sculptures based on an exploration of traditional Scholar’s
Rocks for several years. Frost’s pieces emerge from these aesthetics and
infuse characteristics of contemporary environments.
JooLee Kang interprets
the complicated interaction between humans and nature from various
perspectives. Her work asks us to consider the possibility and dignity
through drawing and mixed installation. JooLee Kang received her BFA in
Painting from Duksung Women’s University in Seoul, Korea and her MFA
from Tufts University - School of the Museum of Fine Arts in Boston,
USA. She had numerous exhibitions including solo exhibitions at Gallery
NAGA (USA, 2020, 2017, 2014), Korean Cultural Center in Madrid (Spain,
2018), Gyeonggi Museum of Modern Art (Korea, 2018), Harvard Medical
School (USA, 2018), Museum of Art at Univ. of New Hampshire (USA, 2014)
and group exhibitions at Amorepacific H.Q. (Korea, 2019), Newport Art
Museum (USA, 2019), Taipei Fine Arts Museum (Taiwan, 2017), DMZ Camp
Greaves (Korea, 2017), Arko Art Center (Korea, 2016), Jonathan Ferrara
Gallery (USA, 2015), Seoul Foundation for Arts and Culture Artist Grant
(2018), and Massachusetts Cultural Council Award (2012). She was invited
as an Artist-in-Residence at Gyeonggi Creation Center (Korea, 2018),
Cheongju Art Studio (Korea, 2017), Willapa Bay AiR (USA, 2015), and
Beijing Inside-Out Art Museum (China, 2014).
Woomin Kim reveals
what things are made of. Exposing a hidden rawness, She is able to
consider the gap between how we know these objects and what they really
are. Woomin Kim is a South Korean artist currently based in Queens, NY.
Kim had solo shows at Boston Sculptors Gallery (Boston, MA) and Maud
Morgan Arts Center (Cambridge, MA) to name a few. She has participated
in several residency programs including the Queens Museum Studio
Program, Ox-bow School of Art and Studio MASS MoCA. Kim has received
fellowships and awards from the Joan Mitchell Foundation and the Korean
Cultural Center. Kim was invited as a visiting artist for various
institutions including Isabella Stewart Gardner Museum, deCordova
Sculpture Park Museum, and Bunker Hill Community College. Her works have
been featured in The New York Times and Hyperallergic among others. Kim
holds a B.F.A from Seoul National University and received an M.F.A.
from the School of the Art Institute of Chicago.
Susan Meyer makes
sculptures, installations, and 2-dimensional artworks utilizing hand
and digital methods. The works explore the utopian instinct,
interweaving landscape, and architecture. Meyer has exhibited throughout
the US at venues including the Albany International Airport Gallery;
the Hunterdon Art Museum, Clinton, NJ; Markel Fine Arts, New York, NY;
the Hyde Collection, Glens Falls, NY; Albany Institute of History and
Art; the Museum of Contemporary Art/Denver; Center for Visual Arts in
Denver; Boulder Museum of Contemporary Art; Artspace New Haven, CT; and
the Islip Art Museum Carriage House, NY. Artist residencies include
Sculpture Space, Anderson Ranch Art Center, Ucross, and Pilchuck. Meyer
is an Associate Professor of Art at The Center for Art and Design of The
College of Saint Rose in Albany, NY.
Andy Moerlein has
been an art advocate for the past 30 years. Andy Moerlein is an
internationally exhibited sculptor and has been an art advocate for the
past 30 years. His art presents a personal reaction to the powerful
interaction between psyche and phenomena. He has an extensive resume of
public artworks and monumental outdoor sculptures. In October 2020 he
completed his second commission for Crystal Park, a private sculpture
garden in Holmes NY. His work can be seen at Contemporary Arts
International, Acton MA, Verbier 3D Foundation in the Swiss Alps,
Haskell Public Gardens, New Bedford MA, Andres Institute, Brookline NH,
Fruitlands Museum collection, Harvard MA, and private locations
nationally. Moerlein holds a BA from Dartmouth College and an MFA from
Cornell University. He lives and works in Maynard MA and Boston MA.
Laura Moriarty’s
work has been presented in numerous exhibitions, both nationally and
internationally since 1992. Her work is held in many permanent
collections, including The New York Public Library; the Pacific Grove
Museum of Natural History; and the Progressive Art Collection. Laura’s
honors include an Individual Support Grant from the Adolph & Esther
Gottlieb Foundation, a residency at the Baer Art Center in North
Iceland, and two Pollock-Krasner Foundation Grants. She is the author of
an artist’s book, 'Table of Contents', self-published in 2012. Laura
Moriarty makes process-driven sculpture and works on paper whose forms,
colors, textures, and patterns result from the same processes that shape
and reshape the earth.
Elisa Pritzker is
an artist and independent curator based in Ulster County, New York. She
has exhibited at MoMA, Queens and Dorsky Museums among an innumerable
group and solo exhibits. Her art is in the permanent collections from
the Dorsky Museum, Jean Cherqui Art Collection, and in Paris, France
& New York, Brooklyn Library, Hammond Museum, the Argentine
Consulate in NYC, the Wiseman Gallery/Rogue Community College, and the
Luz & Alfonso Castillo Foundation. Elisa Pritzker paints the stones
as she finds them, Her own hand-painted magic stone installations have
analogous virtues with the Scholars Stones. Bringing the past into her
current work makes it relevant today.
About the Curator
Donna Dodson is
an independent curator, freelance writer, and a visual artist. She is
currently a Visiting Scholar at Brandeis University in Waltham, Mass.
Donna regularly contributes articles to newspapers, magazines and blogs
that demonstrate the economic impact and global reach of the arts sector
in Boston and beyond. Donna Dodson's curatorial projects include "Wood
as Muse" at the Art Complex Museum in Duxbury, Mass., " Convergence:
Boston Sculptors Exhibits on the Christian Science Plaza," in Boston,
Mass., and "Connections/Conexiones," at the Nesto Gallery, Milton
Academy, in Milton MA. Her exhibitions have been reviewed by the Boston
Globe, Sculpture Magazine, and WGBH Boston. Dodson is a graduate of
Wellesley College.
About the Korean Cultural Center New York
Inaugurated
in 1979, the Korean Cultural Center New York is a branch of the
Ministry of Culture, Sports and Tourism (MCST) of the Republic of Korea.
Under the authority of the Consulate General, KCCNY works to promote
cultural arts exchange and stimulate interest in Korean culture through
various opportunities including exhibitions, concerts, film festivals,
and educational programs.
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